Additionally...

Additionally, “Dasein is thrown into death as a constant possibility of its being, as revealed in Angst. It is not death itself that interests Heidegger, but being- towards -death, since this attitude is with us at all times even when it is concealed” (Harman, 71). For Kant, in contrast, anxiety is closely linked to his notion of the sublime, which cannot really be represented in aesthetics but forms the basis for the transition between aesthetics and morality.

Kant argues that a lack of harmony is also closely linked to the experience of the sublime. The sublime is very subjective - one may refer to it as an evanescent experience - but it does reveals the mental situation of the person who experiences it: “true sublimity must be sought only in the mind of the [subject] judging,