Where the note presents a literal translation of the commentaries...
Where the note presents a literal translation of the commentaries, I have indicated this by the use of inverted commas; where my note gives only the general sense of the commentary I have omitted the quotation marks, the source of the note being sufficiently indicated by the appropriate letter. In the fuller explanation of the technicalities of Sufi. philosophy I have drawn largely on the first volume of the late E. J. W.
Gibb's "History of Ottoman Poetry," and especially on the second chapter of that work; where allusions to proper names, etc., are not explained by the commentators, I have often quoted from Hughes's "Dictionary of Islam." Quotations from the Qur'ân I have usually given in Palmer's translation.
Finally, I am myself responsible for the notes in cases where no source is given; these are usually either in places where the meaning of the text is not easy to grasp, and where nevertheless the commentators, as not infrequently happens, pass over the line without explanation; or on the other hand such notes refer to matters of common knowledge to Persian scholars, which however may not be familiar to others; I have added a certain number of such in order, as stated already, to render the work of some use to non-Persianists who take an interest in the philosophies of the East.
Had I been able to devote myself continuously to the work, the number of references from one part of the text to another might have been considerably increased, and the author's meaning probably in many places thus rendered clearer; I think also, as I have already said, lines and passages that are here doubtless misplaced might have found, if not their original, still a more suitable home.
But it has often happened that months, in one case as many as eleven, have elapsed between putting down the work and taking it up again; and thus all but the most general remembrance of the contents of the earlier parts of the text has in the meanwhile escaped me. I can only say that it seemed better to let the work go out as it is, than to keep it longer in the hope of obtaining a continuous period of leisure which may never come, for a more thorough revision and recasting of the whole.