ভূমিকা
Shiavault - a Vault of Shia Islamic Books The HadÎqatul-haqÎqat (the Enclosed Garden of the Truth) INTRODUCTION I. LIFE OF THE AUTHOR II. MANUSCRIPTS AND LITHOGRAPHS III. HISTORY OF THE TEXT IV. THE COMMENTATORS V. THE Hadîqatu'l-Haqîqat VI. SANÂ'Î'S PREFACE I- LIFE OF THE AUTHOR Abû'l-Majd Majdûd b. Adam Sanâ'î1 was born at Ghazna, and lived in the reign of Bahrâmshâh (A.H. 512-548, A.D. 1118-1152).
Ouseley says of him that he "while yet young became one of the most learned, devout, and excellent men of the age which he adorned. His praise was on every tongue; for, in addition to his accomplishments in the Sufi philosophy, he possessed a kind and benevolent heart, delightful manners, and a fine taste for poetry . . Sanâî in early life retired from the world and its enjoyments, and the reason for his doing so is supposed to have arisen from the following circumstance.
"He had frequented the courts of kings and princes, and celebrated their virtue and generous actions. When Sultan Ibrahim of Ghazni determined upon attacking the infidel idolaters of India, Hakim Sanâî composed a poem in his praise, and was hurrying to the court to present it before that monarch's departure.
There was at that time in Ghazni a madman known as Lâi Khûr (the ox-eater), who often in his incoherent wanderings uttered sentiments and observations worthy of a sounder head-piece; he was addicted to drinking wine, and frequented the bath. It so happened that Sanâî, in passing a garden, heard the notes of a song, and stopped to listen.
After some time the singer, who was Lâi Khûr, addressing the cup-bearer, said, 'Saki, fill a bumper, that I may drink to the blindness of our Sultan, Ibrahim.' The Saki remonstrated and said it was wrong to wish that so just a king should become blind. The madman answered that he deserved blindness for his folly in leaving so fine a city as Ghazni, which required his presence and care, to go on a fool's errand in such a severe winter.
Lâi Khûr then ordered the Saki to fill another cup, that he might drink to the blindness of Hakim Sanaî. The cup-bearer still more strongly remonstrated against this, urging the universally esteemed character of the poet, whom everyone loved and respected.